Cedric Grosjean asked:


The tutu is possibly the most iconic item of ballet clothing there is, but few people outside of the world of ballet know about the history of this garment, or about the variety of styles available.  To those who are familiar with ballet the difference between the styles and materials, and how to make use of these factors, can become second nature.  If you are a beginner to ballet and want to learn about tutus, or if you just wish to refresh your memory, then read on as we look into the basics.

Throughout its history the tutu has undergone a number of changes, and has appeared in a number of varieties, all of which cater for certain dancing needs.  One of the classical forms of the ballet tutu is the bell, like the majority of tutus it has a fitted bodice, the skirt, which consists of layers of netting, does not use a wired hoop and extends outwards from the hips.  Pancake style tutus are also classical, and are similar to bells other than the skirt, which is short and stiff, uses a wire hoop and consist of more layers of netting than the bell style.  

Romantic style tutus are arguably one of the most beautiful and elegant garments in the world of dance.  They feature a three quarter length tulle skirt, which is bell shaped, and a fitted bodice which may or may not have sleeves.  This tutu creates a flowing movement that is desirable in a number of ballets, both traditional and modern.  A lot of dancers have a particular fondness for these tutus, and the elegance which they can help to portray.

If you ask people to describe tutus, chances are they will use the describe a skirt something akin to a powder puff – a skirt which looks light yet has a fluffy appearance when compared to some others.  These tutus were created by Barbara Karinska, and were used a lot by George Balanchine in his New York City Ballet productions.  For this reason the tutus are often known as either Karinska or Balanchine tutus, or Karinska Balanchine tutus.  The distinctive appearance is produced through the precise use of the netting and loose tacking, which enables the skirt to be self supporting without a wire hoop.  

The kind of tutu which you choose will vary depending on your preferences, but also very much on the dance which you are performing!  If you attend a dance school, you may well have a set uniform which you need to stick to – even if it isn’t your favourite, or your first choice of dance wear, but remember that each garment has been chosen for a reason, and that as you progress you can diversify your dance clothes.

A great dance outfit can really add a whole new dimension to a ballet, or indeed to any sort of dance.  This may well explain why Barbara Karinska won the Capezio Dance Award, for her amazing ability to design dance costumes which served to amaze audiences and add to their pleasure when watching the ballet.

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