Eva Torriente Diaz asked:
à à à à à à à à à à à à à à à à à à à à à à à Alicia Alonso, of Cobre Martà nez Hole of Alicia Ernestina of Charity been born from año of the December of 1920 21 à To mÃs advanced to público realizà ³ she for the first time in Tchaikovsky& #039; sleeping beauty of s. Alonso bailà ³ in Cuba under the name of Alicia Martà nez. –Dancer& #039; the progress rÃI ask of s in its lessons came to a high precipitate in 1937, when the 15 años lowered in love with a compañero student of the ballet, Fernando Alonso who she casà ³. Después of his unià ³ n she cambià ³ its last name to Alonso. The new pairs moved to New York City, hoping to begin their professional races. Allà found a home with the relatives in seccià española ³ n of Harlem of the city. Alonso soon gave to light a daughter, Laura, but handled to continue its training in the school of the American ballet and tomà ³ classes deprived with Leon Fokine, Alexandra Fedorova, andà Anatole Vilzak de à Enrique Zanfrettaà . – à – She then arreglà ³ toà London of the route to study with the famous Side Volkova. — Meanwhile, its husband habÃa assembled newà Mordkin Balletà Company in New York. à she tenÃa cirugÃa to correct the problem and was ordinate to lie in the vile bed inmà ³ by three months to allow him that the eyes cure. inà 1943 of à to begin to reconstruct its abilities. Nevertheless, before it had placed hardly, outside the blue one they invited to him to & quot of danceà ; Giselle& quot; in order to replace the Theater& ballet; #039; dancing of dañada premium s. Alonso aceptà ³ and gave such operation that the crÃticos declared a star immediately. 1946 and bailà promoted to bailarÃn main of compañÃa in ³ the paper of Giselle until 1948, también realizÃndose in the Swanà lake , Anthony Tudor& #039; s Undertow (1943), Balanchine& #039; s Theme and Variations (1947), and in the world-wide openings such as deMille& #039; balletà dramÃtico Fallà of s Legend of rÃo. – à  (1948), in which she starred like defendant. By then in its race, she habÃa developed to one reputacià intense ³ n like bailarÃn dramÃtico, asà like a extreme-pure técnico and intérprete supreme expert of repertoires clÃsicos and romÃnticos. The society of the long time of  s of  of à Alonsonâ with, Youskevitch, often has compared itself to the one of Fred Astaire and Rogers.Alicia ginger was heartbroken with a defect of the eye and was partially hidden después of which it gave 19 return to. Soon she tenÃa its partners to be in the point that she esperà ³ that was. She también utilizà ³ lights in diverse parts of the stage to direct it también. Después to see the doctor to make worse problems of visià ³ n, diagnosed to Alonso in 1941 with a separated retina. – Incapable to be satisfied totally, Alonso practicà ³ with its single feet, señalando and stretching to, as put it, & quot; alive.& keeps my feet; quot; When they left the bandages, they consternaron to Alonso to find that operacià ³ n not habÃa be totally right. The doctors realised one second cirugÃa, but to its he made them lack conclude that bailarÃn never tendrÃa visià periférica ³ n. Finally, Alonso consintià ³ to a third procedure in Havana, but this time ³ totally vile in the bed by año was requested to put inmà whole. They did not allow to play with Laura, to chew the food too much difÃcilmente, for reÃr or to shout, or to move its head. Its husband sentà ³ with its newspaper, using its fingers to enseñar to great the papers of the dance of the ballet clà to himsico. Of women in history of world, remembered Alonso mÃs in front of that perÃodo, & quot; Bailé in my mind. Blinding, inmà ³ vile, completely in my later part, me enseñé to dance Giselle.& quot; Finally, to permitià ³ to leave its bed him, although the dance was todavÃa inadmissible. In place, she caminà ³ with its dogs and, against doctor& #039; à ³ rdenes of s, went to the study of the ballet underneath the daily street to begin to practice again. Then, as soon as like their hope volvÃa, dañaron to Alonso when huracÃn rompià ³ a door in its home, there being dew the crystal chips on its head and face. Amazing, their eyes were not dañados. When his doctor saw this, él despejà ³ to Alonso to begin the dance, calculating that if she podrÃa to survive one explosià ³ n of the glass, the dance not harÃa ninguà  n daño. Almost angry with the impatience and aún partially the blinds, Alonso viajà ³ detrÃs toà that new Yorkto encontrà ³ to its own compañÃa, Alicia Alonso Company Ballet, that it maintained with little financial aid, this compañÃa sintià ³ well possible to the national of the ballet of Cuba. – Youskevitch and its other partners got to be rÃpidamente expert in the aid of Alonso they conceal its disadvantage. In order to only compensate partial view in an eye and none visià periférica ³ n, the dancing entrenà ³ to its partners to be exactly where she them necesità ³ without excepcià ³ n. She también tenÃa the certain diseñadores to install strong projectors in diverse colors to serve like guÃas for its movements. –Alonso sabÃa, for example, that if she caminà ³ in the brilliance of the projectors near the front of the stage, she conseguÃa too much close to the hole of orchestra. HabÃa también a stretched fine wire to través of the edge of the stage in the height of the waist like another marker for her, but generally she bailà ³ within the arms of wall of its partners and was taken by them of of point to point. The hearings según never inquires were mÃs wise because they watched the premium dancing. Alonso& #039; the desire of s to develop to ballet in Cuba llevà ³ to return to inà 1948Fernando of Havana was chief of a main directorate of compañÃa, that at that time was composed mainly of dancers of the theater of ballet temporarily without work due to one reorganizacià ³ n in compañÃa of New York. Fernando& #039; Alberto brother, coreà ³ graph of s, served like artÃstico director for compañÃa. – CompañÃa debuted briefly in the capital and después salià ³ for a trip of Suramérica. -. The operations were a blow with the hearings throughout, but Alonso encontrà ³ financing of compañÃa with their savings to keep it going in spite of donations of the rich families and a modest subsidy of the Ministry of Cuban Educacià ³ n. in 1952 and inà then that produce and starring Giselle for theà ParÃs Operaà in 1953. – Meanwhile, she conmutà ³ between Havana and New York to recruit world& #039; the best professors of s to train its new students. She seguÃa being dancing of premium asked for during this shaken time, dancing inà twice RusiaBetween 1955 and 1959, Alicia bailà ³ each año with the ballet Russe de Monte Carlo as it stars of huésped. It was first bailarÃn of the western Hemisphereà to be realised in theà Unià ³ n Soviética, and the first American representative to dance with ofà Moscú and Leningrad (St Petersburg) of the theaters of Kirov of andà respectively of Bolshoi of theà in 1957 and 1958. , The north and Suramérica, and she danced as pear of ParÃs stars of huésped with à ³, the real ballet danés, the Bolshoi and with others compañÃas. à she has carried out their versions of Giselle, Pas de Quatre, andà Sleepng Beautyà for à ³ pear of the equalities of theà . – à she también efectuà ³ Giselle in the Operaà state of Vienna of theà and the theater of San Car it of NÃpoles, Italy; The Fille Bad Gardeeà of à in à ³ pear of the state of the Prague, and sleeping beauty in there the Scalaà of Theater of theà in Milan. – During the décadas ones to follow Alicia Alonso tenÃa trips of the cross-world with of the west and paÃses of East Europe, AsiaBy the half-full ones of años fifty, the Alicia Alonso Company Ballet were in the calamitous Straits financially and polÃtico. A dictator, Fulgencio BatistaForced to work in clubs nocturnes to gain a life, the dancers tenÃa often none energÃa not to be realised for Alonso. Whereas bailarÃn did mà every timevocal s in his desdén for Batiste, régimen him ofrecià ³ five hundred dà ³ lares per month in perpetuity to stop their crÃticas. Disgusted, it doblà ³ his inà 1956Alonso of the school worked with the Rousse ballet until 1959, meanwhile she realizà ³ in a trip of ten weeks of the Unià ³ n Soviética, habÃa taken control and was determined to squash oposicià heavy ³ n to her rule. Supported by island& #039; financial infrastructure of s, the American Mafia, and commercial interests, él reprimià ³ without mercy to any person who was placed in her trajectory. – Declaring that all the artists and intellectuals were supporting leftists, él cortà ³ drÃstico qué pequeña financiacià ³ n habÃa given the government to Alonso& #039; school of the ballet of s and group traveling. and assembled the ballet Russe de Monte Carlo with Youskevitch., dancing in Giselle, à ³ Ballet& pear; #039 of Leningrad of theà ; trajectory of s of the thunderclap, and other pieces. Their operations gained concesià to him ³ n coveted of the compartment of the dance in 1958.Whenà Fid
